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Raquel PĂ©lissier in Her Role on July 7: Who Killed the President of Haiti?

By Shael Lee

Raquel Pélissier steps into a powerful role in July 7: Who Killed the President of Haiti?, a film that delves into one of the most tragic and defining moments in Haitian history. For Pelissier, this project was more than just an acting opportunity; it was a mission. Before accepting the role, she made a point to read the entire script, wanting to fully understand the director’s vision and the message behind the story. What she discovered was a chance to tell Haiti’s story in an authentic and deeply personal way.

“This was our opportunity as Haitians to tell our own story, in our own words, and authentically represent our culture and essence,” she says.

Pelissier plays Shedline, one of the film’s central figures, and from the moment she read the script, she felt a connection to her. Like Pelissier, Shedline is dedicated and passionate about her country, but her greatest flaw is her naivety. She acknowledges, “Ironically, it’s quite similar to me.” Shedline’s journey mirrors a part of her own life, leaving Haiti to pursue education abroad, only to return home, driven by a desire to contribute and make a difference.

Understanding Shedline’s emotions and relationships was critical to portraying her convincingly. Pelissier dedicated herself to breaking down every scene, diving into her character’s psyche, and fully immersing herself in the role. It was essential for her to bring Shedline to life in the most honest and powerful way possible.

In many ways, Shedline is a modern-day Icarus. Pelissier draws a striking parallel between her character and the Greek myth of the boy who flew too close to the sun. Just as Icarus, consumed by ambition, ignored warnings and fell to his doom, Shedline’s relentless curiosity blinds her to the dangers ahead. Her tenacity pushes her to uncover the truth, not realizing that some truths are not meant to be revealed—especially in Haiti, where freedom of speech comes at a cost.

“Throughout the movie, Shedline’s curious and rebellious nature drives her relentless pursuit of the truth; truths she doesn’t realize are dangerous to uncover,” she explains.

For Pelissier, taking on this role was about more than acting; it was about purpose. As a model, philanthropist, and passionate advocate for Haiti, she has always fought for her country in different ways. She sees July 7: Who Killed the President of Haiti? as a groundbreaking step for Haitian cinema, a project created with international standards that has the power to elevate the country’s voice on a global stage.

“This film is likely one of the first Haitian productions created with international standards, and it is an honor for me to be part of this project,” she says. “We have countless stories to share with the world. We must push forward and bring Haitian cinema to the forefront.”

July 7, 2021, remains one of the darkest days in Haiti’s history. The assassination of the country’s president caused profound shockwaves throughout the nation and beyond. Pelissier believes this film is not just about telling the story; it is about demanding accountability.

“The movie July 7 serves as a powerful way to denounce what happened to our president and shed light on the harsh realities of Haiti,” she says, quoting Winston Churchill: “Those who fail to learn from history are doomed to repeat it.”

But July 7 is not just a reminder of a painful past. Pelissier hopes the film serves as an inspiration for the younger generation of Haitians, encouraging them to fight for change. “What’s next for Haiti? Many feel hopeless, but by confronting our reality and speaking out, we can push for a better future. Change begins with awareness, and awareness leads to action.”

With this film, Pelissier is making a statement, not just as an actress, but as a Haitian determined to see her country rise. Shedline’s story is a reflection of the struggles, hopes, and resilience of an entire nation. Through July 7, she hopes to spark conversations, ignite change, and remind the world that Haiti’s story is far from over.

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